Works on Display (as of April 19, 2024)

Display Structure 1 – L to R

0002
Heike Liss
Another Day in Fucking Paradise – from the series “Sound Drawings,” 2024
oil stick on paper
35.5 x 28 cm

0043
Ant Hampton
My Contacts, 2024
ink on paper
29.5 x 42 cm

0019
Jasmina Cibic
Stages and Cages (Tito with Koki, the yellow-crested cockatoo onboard the Galeb, February 1959), 2024
giclée print on archival Hahnemühle, collage
29.7 x 42 cm

The work uses text from Tito’s diary from February 1959 on Tito’s visit to the United Arab Republic.

0025
Bo Sun (Boxuan Sun)
Bedroom Floor Plans, 2024
drawing on paper
21 x 29.7 cm

0060
Juan Cruz
Untitled, 2024
watercolour on primed canvas
42 x 29.7 cm

This work is the top left corner of a larger painting that the artist has cut into A3 pieces. The artist will continue to send different sections of the painting over the course of the biennale, via different couriers.

0065
Iman Issa
Home? (Question in Order of Appearance) – from the series “I Know and Remember Nothing!,” 2024
ink on print
35.5 x 25.5 cm

0068
Lia Dostlieva
Untitled, 2024
collage
20.8 x 14.7 cm

The work is a collage using a family photograph rescued from an album destroyed in the war.

Display Structure 2 – L to R

0009
Dejan Kaludjerović
Foreigners Spirits (from the series “Conversations” – statement by Nikita, 8-year-old-boy, Ukraine), 2024.
carbon paper transfer, graphite and colored pencils on paper
29.7 x 42 cm

The series Conversations is a research-based project, culminating as a kind of overview of multi-year research and production. Between the years 2013 and 2024, Kaludjerović interviewed children (6-10 years old) from different socioeconomic, cultural and ethnic backgrounds with a set of simple but provocative questions.

0070
Irene Fernández Arcas
23.8 x 16.9 cm

0075
Tanja Ostojić
Migration Map, 2024
drawing, tread,aquarel and writing on upcycled cotton
33 x 45.8 cm

0033
Tina Gverović
Crude States, 2024
gouache and copper leaf on paper (with gesso ground)
35 x 27 cm

0064
Nika Špan
BLANKO, 2024
pen on paper
diptych, each part 29.7 x 21 cm

Blank pages signed by the artist and left with her mother back home in case they are needed to create signed official letters.

0052
Marina Naprushkina
Women Writers in Exile (My Belarusian Library), 2024
collage (book tabs, black-and-white print on paper)
27 x 21 cm

The work is a collage of book covers by Belarusian women writers whose work could not be published in Belarus, which has now been published abroad. All the books are from the artist’s personal library.

0021
Yane Calovski
Broken Even (Berlin), 2015
ink and typewriting on paper
29.7 x 21

0023
Bojan Stojčić
Seeking for a Person, 2024
india ink on grey paper
41.8 x 29.8 cm

Display Structure 3 – L to R

0077
Lala Raščić
34.7 x 24.8 cm

0061
Jelena Jureša
Untitled, 2024
digital print on tracing paper, 3 parts
29.7 x 21 cm each part

0004
Anne Bean with Serah Chule (aka Serah Chibombwe)
This is the Zambian Pavilion, 2024
digital print with added paint and felt-tip pen
29.7 x 42 cm

0067
Sinta Tantra
A Postcard of Bali 1936, 2024
24 ct gold leaf on facsimile of Balinese postcard from 1936
41.8 x 29.6 cm

0036
Bojana Janković
ПУТНИК
Marker on photograph

Text intervention on photograph of old, now derelict Yugoslav company ‘ПУТНИК’ (‘Traveler’)

0059
Vlad Brăteanu
load #4 – from “the load series”, 2020-
archival print on Hahnemühle Photo Rag Satin paper
29.7 x 42 cm

For this series, the artist takes photos of the weekly packages sent by his mother from her village in Romania to Berlin.

0037
Meta Drčar
Drawing Series, Study Piece 1, 2024
aluminium
29.7 x 21 cm

The polished aluminium piece traveled to the pavilion without packaging and accumulates fingerprints as it’s passed along from hand to hand.

0049
Arseny Zhilyaev
Untitled – from the series “Behind the Fog of War There Is Always Pain,” 2024
acrylic paint on newspaper
43.3 x 31.3 cm 

Display Structure 4 – L to R

0071
Anna Perach
Hope, 2017
watercolor on paper
40.5 x 30.2 cm

0010
Ekaterina Shapiro-Obermair
Return All Their Books, 2024
black tea and gouache on paper
32 x 23 cm

0006
Yva Jung
Mother Tongue, 2024
drawing on paper in gouache
42 x 29.7 cm

0014
Nika Radić
My Window, 2024
digital print on paper
41.3 x 29.3 cm

0029
Elizabeth Magill
pink, pink, pink, pink, pink (tree), 2023
pencil, pastel, and ink on paper
19 x 18 cm

0024
Ahmet Öğüt
I’m still alive, yet…, 2024－
pencil and marker on paper
29.7 x 21 cm

From a series of daily works.

0013
Darija S. Radaković
Wake Me Up in Yugoslavia, 2019
art intervention, digital print
28 x 43.2 cm

This work adds the words “WAKE ME UP IN” above the existing letters “YUGOSLAVIA” on what was once the Yugoslav pavilion building in Venice. This minimal intervention draws attention to the country for which the pavilion is intended, to the absurdity of its non-existence and the paradox of its defiant presence. It also conveys the idea that not all travels are forward-looking; in the case of the non-existing nation of Yugoslavs, their destination has been buried in a haze of a dreamy past, leaving them no other option but to fare through a nightmare in hopes of waking up in another dream.

0086
Christian Sleiman
Eckernforde, 2024
marker on paper, 2024
29.5 x 33 cm